Harvard University Press congratulates its authors Nicole Fleetwood and Monica Muñoz Martinez for being named to the 2021 class of 25 MacArthur Fellows. The prestigious no-strings-attached $625,000 awards are given to individuals “who have shown extraordinary originality and dedication in their creative pursuits and a marked capacity for self-direction.”
Fleetwood’s book Marking Time: Art in the Age of Mass Incarceration, which won the 2021 National Book Critics Circle Award for criticism, is a powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. In it, she shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender.
Fleetwood also curated a similarly titled exhibition (which includes art that appears in the book) by incarcerated and formerly incarcerated artists at MoMa PS1 that opened last year.
She’ll use a portion of the award money to bring the exhibition to other parts of the country.
“To me, one of the great gifts for people who go to the show or read the book is that it challenges their assumptions about who’s incarcerated, why they are incarcerated, and what they do with their time,” Fleetwood told the New York Times.
A multiple award-winner, The Injustice Never Leaves You: Anti-Mexican Violence in Texas by Martinez is a moving account of a little-known period of state-sponsored racial terror inflicted on ethnic Mexicans in the Texas-Mexico borderlands. It details how between 1910 and 1920, vigilantes and law enforcement—including the renowned Texas Rangers—killed Mexican residents with impunity. The full extent of the violence was known only to the relatives of the victims. Martinez turns to the keepers of this history to tell this riveting and disturbing untold story.
The relevance of this history to what has happened at the border during the past couple of years has not gone unnoticed. The Los Angeles Review of Books wrote that the book is “a reminder that government brutality on the border is nothing new.”
“As a historian who studies histories of racist violence, and who studies the long struggle for civil rights and for social justice, it is unsettling every day to see so many of the dangerous patterns from the past repeating,” Martinez said in the same New York Times article.
“We are living in a moment where there are organized efforts to restrict rights: Voting rights, reproductive rights, you could talk about immigration all afternoon. There is so much at stake.”