In a recent NYT opinion piece sparked by the now-resolved international episode of the blind Chinese activist Chen Guangcheng’s escape from house arrest to American protection, Samuel Moyn considers the evolving implications of “human rights.” Moyn is the author of The Last Utopia: Human Rights in History, in which he argues that the modern conception of human rights begins not with the UN’s 1948 Universal Declaration of Human Rights, but in the decade after 1968. In his op-ed, Moyn writes that what was initially an “uncontroversial effort to establish moral norms above the fray of the cold war’s ideological battles” has since become both more familiar and less clear-cut:
In reporting on Mr. Chen, most publications, including this newspaper, used the terms “dissident” and even “prisoner of conscience” to refer to him.
However, since the time Amnesty International and other groups popularized those phrases, human rights—a term that once meant the defense of individuals against the oppression of an unjust state—has come to imply other things, too.
Today, it is just as likely to be invoked by powerful states to wage war in distant corners of the globe, much to the chagrin of authoritarian leaders in wealthy rising powers like Russia and China, who see such “humanitarian interventions” as a violation of states’ sovereignty—not to mention a threat to their manner of rule.
Moyn goes on to detail how the concept of human rights has “lost some of its romantic appeal and moral purity” and become a political tool. Even still, he writes, human rights can be useful to “Chinese dissidents and their Western allies” just as they’d been to the “glamorous dissidents” who came before.
In describing Chen, Moyn knowingly evokes the codified concept of the dissident (“the lone icon speaking for moral principle against totalitarian rule, the anonymous but courageous network at home that sheltered him, the supporters abroad who rallied around his cause, and the governments that made their choices based on a difficult calculus of moral ideals and geopolitical interests”), but elsewhere uses “dissent” in a fairly straightforward fashion. A short op-ed can sustain only so much complication, to be sure, but it’s interesting to see the concept of dissent taken as stable in the course of a discussion of the evolution of human rights.
Jonathan Bolton’s Worlds of Dissent: Charter 77, The Plastic People of the Universe, and Czech Culture under Communism is another recent HUP book that deals with some of the same events and themes as does Moyn in The Last Utopia. Bolton’s book unpacks the myths and the glamour to show how the struggle against state repression was felt by those who lived it, making clear the messy humanity of dissent.
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